Blonde Redhead - For the Damaged Coda
Blonde Redhead
Tuesday 5th February 200828,132,156 views732,884 votes For5,961 votes Against
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Tuesday 18th June 2013 Artist Blonde Redhead 5,086,523 views 99,225 votes For 1,160 vote Against
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I mixed these two songs from the album "Melody Of Certain Damaged Lemons" to one wonderful masterpiece. Have fun! Lyrics: Maybe again He will be alone...
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Description of the artist Blonde Redhead
Blonde Redhead est un groupe de rock new-yorkais composé de Kazu Makino (chant, guitare, piano), Simone Pace (batteries) et Amedeo Pace (guitare, chant). Le nom du groupe provient de la chanson Blonde redhead du groupe culte new-yorkais DNA avec Arto Lindsay. Les trois membres de ce groupe se sont rencontrés par hasard dans un restaurant italien au début des années 1990. La bassiste Maki Takahashi faisait également partie du groupe jusqu'en 1995. Leurs deux premiers albums, Blonde Redhead et La Mia Vita Violenta, sont sortis en 1994 et 1995 sur le label de Steve Shelley, batteur de Sonic Youth. D'emblée, Blonde Redhead est immédiatement comparé à ce groupe. Il est vrai que tous deux partagent un goût pour la dissonance et l'expérimentation sonore : la chanson Futurism vs Passéism sur leur troisième album Fake Can Be Just As Good réutilise même un riff de Sonic Youth. Le quatrième album In an Expression of the Inexpressible, probablement le moins « grand public », possède néanmoins quelques chansons à la production très propre (Distilled, Futurism vs Passéism part 2) qui contrastent avec le reste de l'album. On note également des clins d'œil à Serge Gainsbourg, sur la chanson Missile ++ (à la fin du morceau, le batteur reproduit à l'identique le rythme célèbre de Requiem Pour un con, ou encore avec la reprise de Slogan). Coté collaborations, Guy Piccioto (producteur de plusieurs albums du groupe et membre de Fugazi) a participé au morceau Futurism vs Passéism part 2. Jusqu'ici, la comparaison avec Sonic Youth se justifie pleinement. Cependant, Blonde Redhead possède une fibre plus pop qui va prendre le pas dès leur cinquième album, Melody of Certain Damaged Lemons, probablement leur meilleur album à ce jour. Adieu noisy ou presque,...
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